Slant Light British landscape photography

Sheet 03

Light and Weather

A rain squall crossing a wide estuary, curtains of rain reaching the water on the left, a shaft of sunlight on the far shore, heavy layered cloud, wide horizontal framing

Britain photographs best in weather that is about to change, and almost all of that change is forecastable. Sea fog needs a dew point above the sea surface temperature and an onshore wind with a light gradient. A valley inversion needs a clear night, still air, damp ground and a long darkness. A ridge of high pressure behind a cold front gives clean air and frost. None of that is luck, and none of it requires being out every morning to find out.

The entries in this section take one condition each and work it through: what causes it, which numbers on a forecast predict it, where in the country it happens most reliably, and what to photograph once it arrives. They also cover the conditions most people drive home from, because flat cloud is the best woodland light of the year and a day under it is not a wasted day.

Entries in this section

Back to the journal index

Reference: reading a synoptic chart

Reference: a glossary of British light